Wednesday, 20 August 2008

Death Cab For Cutie Winter UK & Ireland Tour Revealed

Death Cab For Cutie have a tour of the UK and Ireland coming this Winter, with the U.S. band arrange to spiel their largest venues on these shores yet.


Beginning with shows in Belfast and Ireland on November twelfth and 13th, the band will then head to the UK for basketball team more dates between the 14th and 19th.


Death Cub will be supporting their latest studio album 'Narrow Stairs', as released in May.


November Tour Dates:


Belfast St Georges Market (12)

Dublin Ambassador (13)

Edinburgh Corn Exchange (14)

Nottingham Rock City (15)

Bristol Colston Hall (16)

Sheffield Academy (17)

London Alexandra Palace (19)




More info

Sunday, 10 August 2008

The Verve, Forth

Considering that in a career virtually spanning 20 years that this truly is the Verve's fourth album it's not truly surprising that there's an aura of anticipation in some quarters. While the band's most obvious fellow-travellers, Primal Scream, have at least managed their personal lives well enough to stick unitedly, the rock 'n' stray soap opera of drugs, exhaustion and Richard Ashcroft and guitarist Nick McCabe's feuding lends a fitly lurid subtext to the music. But it doesn't show on the surface. The band sound unbelievably healthy here.


Anyone expecting a new direction will be foiled. While Ashcroft's solo days have tightened a few of these ten songs, by reversive to the more spaced-out territory of their hellenic years the band get delivered an album that will go down smoothly with fans. We get the epic, anthemic moments such as opener, Sit And Wonder, and first single Love Is Noise, alongside the cavernous, reverb-drenched, trippy numbers game like Judas ("you know the trip has simply begun"). Only Valium Skies may possibly lurk a little as well close to the strings-and-repetition formula of Bittersweet Symphony. .



Ashcroft's faux-american accent noneffervescent pays homage to Mick Jagger, specially on the Beggars Banquet-era lurch of Rather Be, yet, overall, Forth is really owned by McCabe. His multi-layered, jitttery psychedelia always provides enough distraction to hold on the material sounding fresher than it might have. There's a sense of the circle taking the leash off and letting it hang, like a post-rave Floyd. Numbness combines David Gilmour's early 70s licks with Ashcroft rustling and intoning like the ghost of Malcolm Mooney. All very cosmic. The only place where this goes a tad excessively far is on the meandering Columbo - a thudding arena thumper bolted onto a three-minute jam. Yet even here the production nigh rescues it, the looped strings existence mind-meltingly intriguing as they blend with more skyscraping six-string work. There very are some genuinely persistent moments here, not least the basic piano vamp of I See Houses.



As to whether you regain this genial of exploration worthy of your tending in this post-Roses geological era is down pat to whether you lost them in the first place. Forth won't convert anyone world Health Organization never bought into the band's second hand stonerisms and Northern braggadocio. However it does brand a very considerable return to active service. Already given a heroes receive at every festival appearance so far, it seems that for the faithful amongst us, The Verve are well and genuinely back.




More info

Tuesday, 1 July 2008

Bass Communion

Bass Communion   
Artist: Bass Communion

   Genre(s): 
Other
   Ambient
   Rock
   



Discography:


Loss   
 Loss

   Year: 2006   
Tracks: 2


Indicates Void   
 Indicates Void

   Year: 2005   
Tracks: 4


Ghosts On Magnetic Tape   
 Ghosts On Magnetic Tape

   Year: 2004   
Tracks: 5


Bass Communion   
 Bass Communion

   Year: 2000   
Tracks: 5


Atmospherics   
 Atmospherics

   Year: 1999   
Tracks: 18


(II) (CD 2)   
 (II) (CD 2)

   Year: 1999   
Tracks: 2


(II) (CD 1)   
 (II) (CD 1)

   Year: 1999   
Tracks: 6


3   
 3

   Year:    
Tracks: 8




Steven Wilson is non a man to rest on his accolade -- care his likewise fain No-Man cooperator Tim Bowness, Wilson isn't content to permit one mathematical group or propose be the nitty-gritty of his musical turn. Starting in 1994, Wilson began solo recordings described as "experiments in texture," resulting in his work out below the constitute Bass Communion. Eschewing synths and keyboards, Wilson, in this pretense, works with sampled unrecorded performances of a variety of instruments, sometimes with the help of other musicians like Robert Fripp, to make a serial of fine ambient/electronic pieces. Two self-titled albums appeared by the end of the '90s, the second of which featured a fillip EP including further work and experiments, patch a third, aggregation various recordings over the long time, appeared in 2001.


Besides this work, two further Bass Communion releases ar available, both of exceptional involvement. Together they contain the amount tot of Wilson's turn with noted subway U.K. electronic artist Bryn Jones, aka Muslimgauze, wHO Wilson first-class honours degree observed via the splendid Blue Mosque set. After a meeting and commutation of music, Wilson was surprised to incur a serial publication of remixes from Jones a few days later on -- he later knowledgeable that Jones was constantly compelled to "meliorate" music granted to him. Inspired by the results -- one No-Man remix later appeared on a formal single outlet -- Wilson proposed a collaborative exploit involving swapping tracks back and forth, which Jones merrily agreed to. A full album titled Bass Communion vs. Muslimgauze was completed just did non go through release before Jones' premature decease in 1998. It appeared the following twelvemonth, patch Wilson completed two last-place tracks for a similarly highborn EP released in 2000.





Lust Of Decay

Thursday, 19 June 2008

License to print money for Disney

$30 billion in branded retail sales projected for 2008





Branded entertainment merchandise has become an expanding business for those sector players who this week are showcasing their latest dolls, video games and other consumer product wares in the Big Apple.


Driven by such franchises as Hannah Montana, "High School Musical," "Cars" and Disney Princess, retail sales of merchandise licensed by the Walt Disney Co. are on track to rise 12% to a record $30 billion-plus globally this fiscal year, which ends September 30. Disney Consumer Products chairman Andy Mooney made the projection Tuesday at the International Licensing Expo.


Disney and other licensors usually receive a licensing fee of 5%-15% of total retail sales of product associated with their brands, according to experts. So, while the $30 billion translates into much less direct revenue for Disney, it is nonetheless fast becoming a key contributor for the company.


Disney is widely acknowledged as the entertainment company with the highest consumer products revenue. "Disney is unlike any other media major in its efforts, and ability, to build character franchises that can be evergreen in nature," said Miller Tabak analyst David Joyce.


Others also have used the power of their brands to boost their game in this growth business.


Time Warner's Warner Bros. Consumer Products unit expects to see about $6 billion in retail sales this year, a spokesman said. At the Licensing Expo, Warners is showcasing such franchises as Batman, Harry Potter, Looney Tunes, Wonder Woman, Supergirl and Scooby-Doo.






Viacom Inc.'s Nickelodeon, generally seen as the number three entertainment and the top TV-driven licensor, had consumer products retail sales of about $5 billion last year, according to a spokeswoman. Its key franchises include SpongeBob SquarePants. The figures don't include Viacom's other MTV Networks brands, BET or Paramount, which all have their own consumer products businesses.


Companies have struck deals with toy firms, apparel makers and the like who want to tap into the power of film and TV characters, which were the only growth segment across all licensing royalty categories last year, according to the International Licensing Industry Merchandisers' Assn.


For 2007, entertainment character-based licensing revenue reached $2.71 billion, up 1.1% from the previous year, LIMA estimates. That was 45% of the licensing total of $5.99 billion.


While consumer product licensing has been an expanding activity for many entertainment giants, most companies don't disclose detailed financials. Disney's recent re-entry into the Disney Stores with a different business model "is part of the reason, I imagine, (why) they are starting to emphasize publicly their merchandising efforts and metrics," Joyce said.


For Disney, the $30 billion target for this year -- with about 40% coming from North America -- compares to $13 billion just five years ago. Mooney said if trends continue, sales of Disney merchandise by the firm itself and its licensees would surpass $40 billion in about three years. He's already aiming for $50 billion over the next five to seven years.


Disney's "tween" franchises are key growth drivers, with the company predicting that "High School Musical" and "Hannah Montana" combined would reach $2.7 billion in sales for fiscal year 2008. That's nearly seven times the $400 million recorded in the year-ago period.


Mooney suggested Tuesday that the Jonas Brothers, who star in the "Camp Rock" movie that premieres June 20 on the Disney Channel, could well become a third major tween franchise worth about the same as the first two.


"We're nowhere close to being overdistributed," leaving room for further upside in consumer product licensing, Mooney said.


For example, he said that Disney products' share of the children's apparel market is only 2%, and most other categories have a share that can be calculated in fractions of a percentage point. Only in the toy segment is Disney's percentage higher.


And Mooney notes that popular entertainment consumer products are recession-proof. "People on the fringes really suffer through a recession" while consumers continue to pay for strong established brands, he said.



See Also

Wednesday, 11 June 2008

McFerrin, Bobby and Chick Corea

McFerrin, Bobby and Chick Corea   
Artist: McFerrin, Bobby and Chick Corea

   Genre(s): 
Pop
   



Discography:


The Mozart Sessions   
 The Mozart Sessions

   Year: 1996   
Tracks: 7




 





Hudson Tunes Up for Record Release

Wednesday, 4 June 2008

Zac Efron in Me and Orson Welles

'High School Musical' star Zac Efron is set to star in Richard Linklater's next film 'Me and Orson Welles'.
Based on a novel by Robert Kaplow, the film is set in 1937. The director of 'A Scanner Darkly' has cast the pre-teen idol as a student living in New York, who strolls into the legendary Mercury Theatre founded by Orson Welles.
Once there he gets cast in Welles' production of 'Julius Caesar' and spends a week learning from the legend.
The Hollywood Reporter also reveals that Christian McKay has been cast as Welles, with Ben Chaplain set to play the actor George Coulouris.

Friday, 30 May 2008

Metallica, Ozzy Osbourne for Ozzfest

Metallica, Ozzy Osbourne and Hellyeah have been announced to play the one-day Ozzfest this summer in Dallas.

System Of A Down�??s Serj Tankian and Korn�??s Jonathan Davis are also on the bill for the event which will take place in the city�??s Pizza Hut Park on August 9.

Cavalera Conspiracy, Shadows Fall, Apocalyptica and In This Moment complete the main stage line-up, and there will be an all-star tribute to Pantera guitarist, the late �??Dimebag�?? Darrell Abbott on the day.

Sevendust, DevilDriver, Kingdom of Sorrow, Soilent Green, Witchcraft and Goatwhore play the second stage while a third stage will feature local Texan acts The Sword, Drowning Pool and Rigor Mortis.

Tickets for the event will go on sale May 31.

--By our New York staff.
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